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PROJECT: FR3SH Has Been Selected for Critique at the ASCAP “I Create Music" EXPO.

Date: Apr 04, 2008

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http://www.myspace.com/projectfreshmuzi
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FOR IMMEDIATE RELEASE

For Press/Media Inquiries Contact:
Maurice “Nate” Willis
Talented Tenth Entertainment
312.733.2424
Nate@musicmindrecords.com

PROJECT: FR3SH Has Been Selected for Critique at the ASCAP “I Create Music" EXPO.

Project: Fr3sh has been chosen from amongst the thousands of entrants to be featured at ASCAP’s annual “I Create Music” expo held in Los Angeles. On Thursday, April 10 at 2:00 - 3:15pm, they will review the new single “Flashy” in the Echo Room of the Renaissance Hollywood Hotel. The moderator will be ASCAP’s own, Alonzo Robinson. “This is an amazing opportunity for us, and we just feel blessed to even have been chosen by both peers and panelist,” said Chi-Leak (Terrance McDowell). Project: Fr3sh has just wrapped up production on their first album “The Get Fr3sh Show”. They are excited about the buzz that it is creating throughout Chicago as well as the country.

When Project: Fr3sh came on the rap scene in April of 2007, they were regarded as the next great movement of Chicago’s hip-hop soul scene. Mark Byrd, Chi- Leak, and Penn “the god” set fire to a scene that was ready for change. The new album, “The Get Fr3sh Show” is heralded as that change. Over the sly soulful sample of “Dreams”, Project: Fr3sh represents the Midwest's funk heritage. They paint a picture of the environment in which they represent on “Life”. On this song, they rap about people not losing faith and purpose in their lives. Showing how creative they are lyrically, they bring back old school Hip-Hop with “Master Piece Theatre”. They infuse the elements of life on “Overdose” through a comical look at superfluous ways.

ASCAP is one of the largest performing rights organizations in the country. ASCAP is home to entertainers from Stevie Wonder to Jon Bon Jovi. The “I Create Music” expo is a three-day event held for all the members. Here is a link to Project: Fr3sh web sites page.

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