Posted 30 May 2004 - 03:58 AM
TIP #1: Keep dead air time in between songs to a minimum.
TIP #2: Be honest in your choice of expressing yourself (rather than trying to be something you're not, just because it's the status quo) and find venues that cater to what you're setting out to do, rather than trying to fit in with venues that don't gell with what you're about.
TIP#3: If your conviction is solid, screw what other people say. The truth is either that they just don't get it or that they don't have a taste for it. Neither has anything to do with what you're setting out to do. You'll find your audience if you have conviction about what you're doing.
TIP#4: ALWAYS STRIVE TO BE AS GOOD AS YOU THINK YOU NEED TO BE TO FEEL GOOD ABOUT WHAT YOU'RE DOING. There will always (in your mind and in the minds of others) be better musicians, songwriters, performers, etc., but there
is only one You. You are unique and have a special niche somewhere. Only you
can determine where that is. Mentors and role models are fine, but it ultimately comes down to you having conviction in what you're setting out to do. That conviction will translate to passion, and that passion will translate to being good at what your particular thing is. No matter how good an artist is, there are many who dislike their work. This is irrelevant. What is relevant is the people you connect with, but even more so, the goals you set for yourself. You are your own best and worst critic and the one you ultimately have to please. If you like it, then the most
important goal has been accomplished. It is only at this point that you can turn that energy outward and focus on bringing what you KNOW is good to those who will also get into it.
This stuff should be common sense to people, but sadly, that is often not the case. People who do music are often in need of reassurance, etc. But the downside of that is that if the reassurance is solicited from someone who doesn't FULLY understand that person's intentions, tastes, etc., then so-called "constructive criticism" can often be the death knell to their musical dreams. The secret, I believe, is to be informed about what's going on in the world of music and then doing your own thing and finding the right place for it to fourish. Screw what everybody else is doing. Being obsessed with fitting in is what's made popular music so homogenized and predictable. Break the chain! Be one who says, "So what if so-and-so does it that way; I do it THIS way, and I like my way better! Money and popularity don't mean something is artistically superior! That's B.S.! What matters is integrity and originality!".
This is how the greats approach it.
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