CD REVIEW:Tara Linda and Luna Nueva
By Don Sechelski - 12/20/2008 - 11:24 AM EST
Artist: Band:Tara Linda and Luna Nueva Album: Tara Linda and Luna Nueva Label: Tara Linda Productions Website:http://www.taralinda.com Genre: Cojunto, Tex-Mex, World Technical Grade: 9/10 Production/Musicianship Grade: 9/10 Overall Talent Level: 10/10 Songwriting Skills: 9/10 Performance Skill: 9/10 Best Songs: Mal Hombre, The Siren, Sigue Adelante CD Review:
In the mid to late 1800's, there was
a boom of immigrants from Germany
and Eastern Europeans settling in South Texas and Northern
Mexico. My Polish grandparents were part of that immigration wave
and settled in Grimes County,
Texas. These immigrants introduced
the accordion and ethnic Eastern European folk music and Cojunto music was
born. The accordion became an integral part as the European folk songs blended
with Mexican folk music, blues, American fiddle music, swing, R&B, and
later, Rock and Roll. Although it mainly stayed localized in south Texas and Los
Angeles, Cojunto developed its own pantheon of stars
and legends such as Lydia Mendoza and Beto Vila. Here's an excellent website
that includes audio samples of Cojunto music: http://www.lib.utexas.edu/benson/border/arhoolie2/raices.html
Dedicated to the legend of Lydia
Mendoza, Tara Linda and Luna Nueva have released a very accessible and
enjoyable CD that serves as an excellent introduction to Cojunto music. With
this self titled effort, Tara Linda and Nueva Luna have continued the
tradition of Cojunto as a growing and ever changing music force. Tara Linda sings
lead vocal and provides percussion on most songs and her love for this music is
evident in her passionate delivery. She is joined by accordion master, Gilbert
Reyes, a tireless promoter of Cojunto and Tex-Mex music. Cojunto star, Layo
Jimenez plays the Bajo Sexto, a basic element of Cojunto that is similar to a
12 string bass guitar. Other players include producer Matt Erich on wind, Jeff Hobbs on Violin and
Cornet, and Pete Hernandez on Bajo Sexto. Reyes, Jimenez, and Hernandez trade
instruments on some songs but the basic lineup remains the same.
This CD is a blend of classic Cojunto tunes such as Mal Hombre and Amor Bonito and contemporary Cojunto tunes penned by Tara Linda, Gilbert Reyes, and Layo Jimenez. The
opening song El Diabolito y Su Accordeon, is a Cojunto take-off on all
those fiddling devil songs told in the form of a children's story. Tara Linda's
vocal shines on Sigue Adelante and Hobb's violin blends perfectly with
Reyes' accordion. The result is a swirling blend where the European folk
elements and Latin rhythms create a sound that is at once familiar and exotic. Amor
Mio is a classic tex-mex two step that had me up and dancing. The haunting
Lydia Mendoza tune, Mal Hombre, comes to life with Reyes strumming the
Bajo Sexto. Tara Linda's rich sultry vocal pays wonderful homage to the legend,
Lydia Mendoza. Hobbs
doubles on the cornet and violin and adds the spice that makes the dish
complete. I listened to this song over and over. Reyes comes back on Bajo Sexto
with Tara Linda on vocal for The Siren, an original by Linda and Reyes.
This song eliminates any doubt that Cojunto is a growing thriving musical form.
If you are
already a devotee of cojunto, Tara Linda and Luna Nueva is a must. If
you're not familiar with Cojunto but are curious and would like a tasty
introduction, this is a great place to start.
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