CD REVIEW: Peter Haines – “Footprints”
By Stacey Board - 04/27/2004 - 07:26 PM EDT
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CD REVIEW: Reed Dickinson – “Ruby”
By Stacey Board - 04/27/2004 - 06:56 PM EDT
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CD REVIEW: Sue Jeffers – “Welcome Home”
By Stacey Board - 04/27/2004 - 06:23 PM EDT
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CD REVIEW: Billy Mitchell – “What’s So Bad About Feelin’ Good”
By Stacey Board - 04/27/2004 - 06:03 PM EDT
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CD REVIEW: Hot Socky – “Hot Socky”
By Stacey Board - 04/27/2004 - 05:49 PM EDT
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CD REVIEW: elaine k – “as is”
By Stacey Board - 04/27/2004 - 05:21 PM EDT
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CD REVIEW: Hank Quillen– “Wings of Freedom”
By Stacey Board - 04/27/2004 - 05:11 PM EDT
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CD REVIEW: The Mood – “What’s on the Surface and What’s Underneath”
By Stacey Board - 04/27/2004 - 05:10 PM EDT
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CD REVIEW: Random Rab - "The Elucidation Of Sorrow"
By Gian Fiero - 04/20/2004 - 02:31 AM EDT
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CD REVIEW: Joanna McMeikan - "Breaking The Habit"
By Gian Fiero - 04/20/2004 - 02:14 AM EDT
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CD REVIEW: Janeska - "The Objective"
By Gian Fiero - 04/20/2004 - 02:02 AM EDT
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CD REVIEW: Escape From Earth - "Three Seconds East - 5 Song EP"
By Gian Fiero - 04/20/2004 - 01:44 AM EDT
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CD REVIEW: Elektronika - "Night & Day - 2 Disc Set"
By Gian Fiero - 04/20/2004 - 01:33 AM EDT
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CD REVIEW: David Boyles - "Bedroom Demos"
By Gian Fiero - 04/20/2004 - 01:21 AM EDT
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CD REVIEW: Darla Postnikoff - "5 Song EP
By Gian Fiero - 04/20/2004 - 01:11 AM EDT
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CD REVIEW: Seth - Nowhere Sometimes
By James Grimes - 04/05/2004 - 09:35 PM EDT
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Don't Be Pushy: Artistic Assertiveness
By Mike Roberts - 04/05/2004 - 02:47 PM EDT
As songwriters and artists, we can find ourselves working with a plethora of personalities and character-types. Not always will we get along. But how do we go about addressing concerns, disagreements or differences of artistic opinion without burning the bridges that may be useful to us in the future?
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The Power of Principles: Part 2 / The Greer Guideline
By Mary Dawson - 04/03/2004 - 01:48 AM EST
Like any other art or skill, songwriting involves a LOT of behind-the-scenes discipline, practice and study in order to make the songs we write appear smooth an spontaneous. The Greer Guideline -- the second principle in our series -- focuses on the fact that there is no substitute for excellence if we hope to really communicate our musical message to millions of listeners.
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