5 Steps to Becoming a Number 1 Artist
- by Randy Young -
Becoming #1 at something doesn't happen overnight. You'll need to persevere and get through the rough patches. Over time, things will build up and the momentum will become infectious. Try these steps yourself, and see how things turn out. I'm sure that in no time you'll see your life as an Artist has improved.
Learn How To Sell Your Music And Beat The Torrents
- by James Moore -
Most independent musicians complain about the dominance of free torrent websites. No matter what they try to sell and how they try to sell it, people just aren't buying anymore. I hate to be the bearer of perceived "bad news", but the temporary solution is to stop selling. Read on for more.
Newsletters & Mailing Lists For The Novice Musician
- by James Moore -
A necessity for your indie band's website is to have a visible mailing
list or newsletter sign up. If all the people visiting your website
simply come and go, what good is it to you? Here's some information on how to do that and what should be in that newsletter.
How To Improve Your Guitar Playing With And Without A Metronome
- by Tom Hess -
Do you think that using a metronome is important for improving your guitar playing? On this issue, guitar players tend to fall into two camps: some use the metronome all the time and others don't use it at all. The truth is that neither approach is correct. This article will show you how you should use the metronome in your guitar practicing in order to make faster progress as a musician.
The Secret To Finding Good Gigs
- by Bronson Herrmuth -
This one is for all of you musicians, artists, performing songwriters out there, trying hard to find a good gig. I wrote this just for You.
An Artist's Worth
- by Beth Lawrence -
Learning to stand proudly while declaring to the world that you are a professional musician isn't always the easiest thing to do. In fact, it may take some practice when confronted by nay-sayers and 'Nine to Fivers', but knowing your artist's worth is priceless!
Learning The 7 Modes
- by Scott Morris -
In my last article I explained the major scale formula which I taught to you in the key of C for the reason that in the key of C, all the notes played are "natural notes" which means there are no sharps (#) or flats (b) which makes one less thing to have to worry about memorizing when first learning about scales, modes and their formulas. In this lesson article, I'd like to introduce you to the 7 modes of C major scale.
Comfort Zone: Enter at Your Own Risk
- by Mary Dawson -
Most songwriters live in fear of the dreaded disease known as Writer's Block. But there is an even more dangerous condition that can attack the creative soul. It's called the Comfort Zone. Mary Dawson identifies the symptoms and offers some remedies.
Blue Collar Rockin'#2
- by Mick Polich -
Mick explores when we do our 'best work' as musicians. Can it happen more than once? Find out!
The Theory of Appreciative Comparison *Part 1*
- by Kole (Kyle Hicks) -
A theory borrowed from the world of Psychology but adapted to Music. (Introduction to the Theory and it's purpose)
The Importance of Musical Exploration
- by Kole (Kyle Hicks) -
In this article, I explain the importance of studying and learning from music styles different from your own.
Chord Connections
- by Kole (Kyle Hicks) -
This article will focus on the movement of chords within a progression and the possible ways to phrase your melodies based off of this movement.
Horizontal and Vertical Thinking (Vertical Thinking Part 1)
- by Kole (Kyle Hicks) -
There are two main ways of thinking when it comes to Composition and Songwriting. This article will explain the second and most familiar school of thought, Vertical Thinking.
Quality Versus Quantity
- by Mary Dawson -
A reality check for those who love the songwriting process but have not identified their writing goals nor mastered the Language of Songwriting that produces Hits.
3 ways to get out of a Songwriting Rut
- by Kole (Kyle Hicks) -
This article lists 3 different things I did to get through the songwriting "ruts" I encountered while composing music for my debut album "Exile."
Music Life: 01 - Creative and Everyday Can Co-Exist
- by Brian Donovan -
Want to devote your life to your music, but the selling of your soul has your personal life in shambles? Here's how to make your creative life and your everyday life peacefully, and productively, co-exist.
Music Life: 02 - How NOT to Practice
- by Brian Donovan -
This month, we'll set goals to make our practicing SO efficient, that we'll hardly have to practice at all . . .
Pick A Direction
- by Carley Baer -
One of the best pieces of advice I ever received was, "one step at a time." I repeat it to myself when I'm at the bottom of a massive hill, looking up at where I want to be. One step at a time. Don't think about the hill. Think about this next step. This next step is all there is. You'll get there eventually. However, these days I feel less like I'm at the bottom of a hill and more like I'm in the middle of a valley, with hills coming up on all sides. Which hill should I climb? Which one gets me closer to where I want to go? One step at a time is all well and good, but it's not really going to help if I don't pick a direction first.
Getting into the Flow
- by Kole (Kyle Hicks) -
In this article I discuss a few ways on how to open yourself to the muse and in doing so, eliminate mental and creative blocks while composing.
Interview with Beeb Birtles
- by Jan Fabyankovic -
A Q&A interview with Beeb Birtles who is a founding member of the Australian group, Little River Band, now on his own and still making the music he loves.
Songwriters! - What'cha Doin' In Your Rhythm Fit?
- by Khaliq Glover -
This article is about foundation. All Songwriters, Musicians, and Producers should thoroughly study these great masters I'm about to mention, to remind themselves about how great songs and craftmanship can change the world. Study them well.
Music Life: 06 - MUSICAL PRODUCTIVITY! - Part 1 - Organize Musical Ideas
- by Brian Donovan -
We started talking about the wealth of ideas you carry in your head: how to collect them, how to organize them all and how to make them into something you can be proud of. This installment, we cover the organization of those small ideas that turn into BIG profits. Both emotionally and monetarily.
The Minor 2nd
- by Kole (Kyle Hicks) -
The often misunderstood and under appreciated interval. In this article, I will be showing you how you can practically use this "dissonant" interval in your own music.
Adding Color to Your Music
- by Kole (Kyle Hicks) -
In this article, I discuss one of the techniques to add "color" to your music. Specifically, we will be replacing "1" with "9" and not only understand it's function, but it's role in other genres of music.
Bring an Umbrella
- by Carley Baer -
She's back from her travels, and she has stories to tell. :)
Music Life: 12 - Omni Focus And My Lyrics
- by Brian Donovan -
I'm always on the lookout for a new system that makes my creativity easier to manage. Recently I stumbled onto Omni Focus by The Omni Group...and it has changed my creative life forever! Hopefully, it will change YOUR creative life as well...
5 Composition Tips for the Young Composer
- by Kole (Kyle Hicks) -
I’ve written down these 5 tips for the young composer. It doesn’t matter what style, what level, or how far you truly want to take it… from hobbyist to professional, these 5 tips will greatly improve your composition ability.
How To Make A Great Guitar Solo
- by Tom Hess -
This article will show you how to instantly improve your guitar solos. You will learn new creative ideas that will greatly advance your lead guitar playing.
Designing an Artist Life Plan
- by Randy Young -
Most artists I meet remind me of this scene in Alice in Wonderland. They have no clear idea of who they are or where they are going. They bounce around from idea to idea, wasting time, money, and energy without any real or measurable progress. So the question is, how can you succeed as an artist?
How To Improve Your Lead Guitar Playing
- by Tom Hess -
Find out how great guitar players come up with their awesome guitar solos. This article will help you to learn the secrets to improving your lead guitar playing.
Songwriting Articles - Power to the Poet: Rhymes
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by Bud Tower - We all think we know what rhymes are and what rhymes. But, the devil is in the details and the more we really know about what rhymes and why, the better and more efficiently we as writers can express ourselves.
Interview with Grammy award winning engineer/producer Bil VornDick
- by Bronson Herrmuth -
Bil VornDick has recorded over 600 albums, had five number 1 hits in five different genres, 45 Grammy nominations with 8 Grammy winners. In so doing he has established himself as one of the top engineer/producers in the music business world wide.
My interview with the legendary Steve Cropper
- by Bronson Herrmuth -
If playing the fire out of a guitar for over 50 years isn't enough for you, add recording artist, hit songwriter, award winning producer, arranger, engineer, actor, label head, and you start to get the picture of the many talents of Steve Cropper.
Songwriting Articles - James Lee Stanley's Blog
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This talented performer, singer, songwriter and producer gives you the benefit of his 50 years experience by writing articles in his personal web space. There are all sorts of different topics you'll find interesting. Well worth checking out!
The Real World - Part 2
- by Guy Betar -
This article continues the review of some real life problems of co-authorship, licenses and copyright in relation to compositions.
Royalties and the Law
- by Brian Corber -
The informal resolution processes of the three domestic PRO's - A brief analysis.
Briefly: Dispelling Some Myths About Copyrights In Music
- by Brian Corber -
Describing how one really protects a copyright and what PROs do with a slice of the copyright assigned to them for administration. With some extra confusion about "mechanicals" and how they do it internationally.
The myth about "the poor man's copyright" and other myths
- by Brian Corber -
Many songwriters believe they can establish and protect the copyrights in their songs by using "the poor man's copyright." That is, mailing the song to yourself in a sealed envelope. That is a really false urban legend and ought to be dispelled. There's also the myth about registering your song with a performance rights organization. This article discusses and destroys those myths.
On The Subject Of Cowriting
- by Bronson Herrmuth -
My thoughts and musings on the subject of cowriting for all of you songwriters here at musesmuse.com
Hope of Audacity
- by JJ Biener -
Can a free, open source audio editor like Audacity really provide the kind of functionality necessary to find its way into the toolkit of someone doing serious audio work?
Witnessing Michael Jackson Create “We Are The World” by USA For Africa
- by Khaliq Glover -
Michael Jackson, Lionel Richie, Quincy Jones, and a host of superstars create the biggest musical moment in history. These are some observations and memories that changed how I view the creation process.
I Kissed a Girl and I Liked It - A Lot!!!
- by Khaliq Glover -
How to become a better songwriter by studying the masters of the past such as Cole Porter, Kern, Gershwin, and more. This modern hit song by Katy Perry uses some of the same techniques of songs written 60-80 years ago.
New Year's Resolutions for Songwriters
- by Mary Dawson -
It's almost time to make our New Year's resolutions for 2009. Are you ready for the New Year? Will your resolutions collapse by February? Or will you actually make some progress this year? Mary's article will help you make a New Year's plan that works.
The Swing of Things
- by Paula Carpenter -
Things have definitely changed over the years. Paula returns after a hiatus to continue her discussions about songwriting in the digital age.
Songwriting - It's a Piece of Cake!
- by Paula Carpenter -
What? You thought songwriting was hard?? And here Paula is telling us it's a 'PIECE OF CAKE' ?? Don't let this title fool you! Songwriting is ANYTHING but easy, and Paula's latest article will give you a very BASIC 'recipe' on how to cook up a song that your listeners will enjoy, savor, and remember!
Imitation: The Sincerest Form of Flattery! (subtitle: COPY ONLY THE BEST!)
- by Paula Carpenter -
We've all heard that tongue-in-cheek remark, 'I only copy the best!' and indeed, that very idea can be used as a wonderful songwriting 'TEMPLATE' strategy, a strategy that is sure to enhance your own songwriting skills. Read on!
Songwriting - Part 1
- by Tom Hess -
Learn how and why it is important to have more than one method for writing music. If your main approach to songwriting involves improvising on the guitar, you are severely limiting your creativity. This article outlines several additional songwriting strategies that will make you a more expressive composer.
Songwriting - Part 2
- by Tom Hess -
In Part 2 of this article series you will learn more innovative ways of using melody and chords to enhance your songwriting.
Rhythm Injuries -- Call in the Red Cross
- by Paul Babelay -
As a producer/percussionist I have noticed specific problem areas that always seem to come up in songwriting. "If I've heard these once I've heard them a hundred times".... Take a look at some of the most common problems and their solutions in the area of rhythm.
Songwriting - Part 3
- by Tom Hess -
In this part of the Songwriting article series, you will learn more advanced ways of applying rhythm to the process of songwriting.
Music Rhythm is the Foundation
- by Paul Babelay -
Understanding the importance of rhythm in songwriting is one key to great songwriting. Let's look closely at the role of rhythm as the foundation to any song, no matter the genre.
Songwriting - Part 4
- by Tom Hess -
In this article, I will show you how to use the often overlooked element of dynamics in your songwriting that will make you a more expressive musician.
Musicianaries: Songwriters with a Message and a Mission
- by Mary Dawson -
Throughout history great songs and songwriters have sparked the conscience of their nations. But to effectively write songs about sensitive social issues requires great skill and sensitivity. In this article, Mary Dawson gives some thought-provoking suggestions for writers who feel moved to craft songs to touch the issues of our day.
Songwriting Techniques -- WMD'S: Weapons of Musical Destruction
- by Paul Babelay -
Most songwriting tips let us know all the things we should be doing for success. But there are some things that we also should not be doing if we want success. This is written "tongue-in-cheek", all in fun. It will help you identify some of the major song killers. Enjoy!
Free Songwriting Tips that Point You to Simplicity
- by Paul Babelay -
You have probably heard before "keep it simple." But how do we do that? It's easier said than done sometimes. Let us point you to some keys of simplicity that will help you keep the main thing the main thing.
Songwriting - Part 5
- by Tom Hess -
In this article you will learn about using principles of orchestration to your advantage when writing music.
Too Much Happening - Too Little Time!
- by Trevor Krueger -
Sometimes, even though you have the very best intentions to fulfill all your obligations, you just don't seem to get the time. But, if you can look back amidst the chaos and discover that you have still managed to do some real good - you can sort of forgive yourself. This is what I've been up to recently...
Craft, Creativity, Customization
- by Kole (Kyle Hicks) -
In this article, Kole discusses 3 essential keys to successfully write your music.
Interpreting Interpretation
- by Bill Pere -
What does it really mean to leave a song "open to interpretation"? When is it desirable and when is it not? Many artists misunderstand what is meant by leaving a song "open to interpretation". Your job as a songwriter is not to have every listener come away with their own truth, but to have them come away with a personalized version of your truth. This article helps you clearly understand what is involved in the complex interaction between you and a listener through a song.
The Four Faders of Songwriting Success
- by Bill Pere -
A well written song may never gain mass appeal, and a song with mass appeal might not be a well written song. The factors affecting a song's popularity and the degree of craft it exhibits are separate, like different channels on a mixing board. This article shows how these factors interact, like faders on a mixing board, to yield an overall blend of craft, effectiveness, and appeal.
Twists on Lists
- by Bill Pere -
This article looks at the differences between list songs and story songs, and how you can make each format most effective. There are specific do's and dont's to be aware of when using either of these two primary song formats.
Sonic Activity: Making Your Songs Radio-Active
- by Bill Pere -
A song with a great story or message but "flat" sounding lyrics is like champagne without any fizz. Sonic Activity is the aspect of a lyric that creates "ping-points" which are the little tingling phonetic bubbles that tickle your ear. This article will help you master that important part of song crafting.
With A Little Help From My Friends
- by Jan Fabyankovic -
One of my 2011 New Year's resolutions is to find a way to improve my songwriting skills by getting “Tips from the Tops.” I wanted to share my music research with the Muses Muse viewers hoping it will be also aid you to compose the best music and write professional, catchy lyrics. As a member of TAXI, my first interview is with Michael Laskow, founder and CEO of TAXI, the world's leading independent A&R company. For those unfamiliar with TAXI, this organization connects unsigned artists, bands and songwriters with major record labels, publishers and film/TV companies. Since it takes a brilliant song to conquer the major music maze, TAXI has numerous ways to educate folks on the techniques necessary to write a hit song.
COURTING APPEAL: Getting Fan #1001, or The Secret of Ullage
- by Bill Pere -
The little-known concept of "Ullage" can be a powerful tool for overcoming one of the biggest obstacles in expanding a fan base -- Complacency. Once you've gotten 100,or 1000 fans, how do you get fan #101 or 1001? In the Four Fader
paradigm discussed in a previous article, Faders # 3 and 4 deal with the parameter of appeal. A "hit" is essentially a song with mass appeal. That does not necessarily mean it’s a well-crafted song, or an effective song (Faders #1 and 2). If you take away all the
hit-making reasons that are not part of the song itself (artist popularity, advertising budget, industry connections, great production, etc), then you start to find a greater relationship between well written, effective songs, and mass appeal. This article shows you how to use the concept of ullage to keep the Four Faders optimized for your success.
Yclept Writing and Swinging Bats: Build Up Those Songwriting Muscles
- by Bill Pere -
One of the greatest tools you can use to help build up your songwriting skills is yclept writing – funny name, but very powerful. You see examples of yclept writing in many books of poetry, literature or wordplay, especially from author Dave Morice. Learn about this great way to flex your songwriting muscles, and in the process, maybe create something unique and memorable.
Interview with Hit Songwriter, Danny Wells
- by Bronson Herrmuth -
In this interview, Danny Wells shares his many years of songwriting experience and success with all of us and I recommend you read/listen closely to what he has to say. This one is a must and I'm proud to share it with you!
May I Have Your Attention Please? -- Branding Your Songs
- by Bill Pere -
In today's very crowded music marketplace, you are competing at any given time with tens of thousands of artists and hundreds of
thousands of songs – and you're competing for two specific things: Awareness, and Attention. Awareness is getting a listener to notice that you (or your song) exist, and Attention is sparking enough interest in that listener so that they willingly hold you in their awareness (and ideally, make others aware of you as well). Awareness is usually achieved through promotion and marketing -- but once you've achieved Awareness, what does it take to turn it into Attention?
Taking the Labor Out of Collaboration From Creation to Realization
- by Bill Pere -
Look at the credits for a song and you most likely see more than one name. Having multiple writers, artists, producers, and engineers is not unusual in navigating the path from creation to realization..The music business, like any entertainment industry, is a business based on people interacting to shape and market the products of a creative process. Some collaborative partnerships are very fruitful and rewarding, and some are emotionally draining with no tangible result. This article lays out all the factors involved in seeking out effective collaborators, and what roles need top be filled in creating songs and giving them a life.
Building Bridges
- by Dan Rivers -
Learn some new ways to regain the listener's attention in the section called the Bridge. What is it? Where is it placed in a song? and How to write it. Find some catchy Chord changes!
Your Song Demo
- by Bronson Herrmuth -
The title of this new article speaks for itself and it's also an open invitation to send me your demos, to all songwriters in The Muse's Muse family. Sure hope you like!
Role Call: You Are Bartholemew Cubbins
- by Bill Pere -
In the traditional music business model, you, the songwriter or artist would be under contract to a large record company and publisher, who would then call all the shots. In today’s world of Independent artists, YOU are the one who puts others under contract to you. The key is to know: (a) what types of roles/tasks need to be done, (b) which ones you can do yourself, (c) which ones you need to engage others for, (d) how to find the right person(s) to do the tasks you want to contract out.
Chord Pallet
- by Dan Rivers -
What if I told you that you can easily determine what chords are available in every key. It’s not as hard as you think. There is a pattern to it.
10 Steps to a Great Song
- by Dan Rivers -
If you have a great idea all you need to do is follow 10 steps as you write the song . If you don’t have a great idea no amount of craft will give you anything more than a mediocre song!
Your Demo Singer
- by Bronson Herrmuth -
Singing your own song demo is fine, as long as you're a really good demo singer.
Playing the Field
- by Bill Pere -
Ever notice how many songs address the same subject, but some have focus and impact, while others seem diffuse and wandering? The answer may lie in the use (or non-use) of the important element of Semantic Field. This article will show you what you need to consider when trying to bring focus and impact to your lyrics.
Secondary Dominant Chords
- by Dan Rivers -
(Surprise Chords-Money Chords) - Chords that contain notes out of the key signature. These chords will get your songs noticed. Before reading this, I suggest you review my article on Chord Pallets.
Plaster, Mortar, and Cement
- by Bill Pere -
A key element for making lyrics communicate effectively is the use of concrete references. Why are they important? They make your lyric focused, clear and real, instead of vague and subject to misinterpretation. And most importantly, seven out of every ten people in a general population prefer to give and receive information using concrete references. So it's important to make sure you know what is and is not a concrete reference.
What Did We Know and When Did We Know It?
- by Bill Pere -
"What did he know and when did he know it?" This key question from the Watergate era brought down a President. It can also bring down – or elevate – a song. The presentation of a song by a writer to a listener is a social interaction – a conversation of sorts. Like any communication, if the songwriter cares about his/her message, the goal of the interaction is to forge a connection between singer and listener, so that both are on the same wavelength with common understanding. This article gives you some do's and dont's.
Adding Sparkle to Your Song: Why Does He Have to Live in Detroit?
- by Bill Pere -
You work hard to make
your lyrics clear, and rich with images.
They convey a message or story that is universal and heard in many other
songs. Yet somehow, they still
don’t measure up to other songs that are considered great. What's missing? Great lyrics not only are clear and relevant, they
also tickle the ear, the way bubbles in champagne tickle the palate. In this article by Grammy-Nominee Bill Pere, you'll learn the secrets of Sonic Activity. This article also includes a Level 3 Analysis of a classic hit song.
Rock Revival pt 3 - Davina Robinson
- by James Moore -
In my 3rd installment of "Rock Revival" I was treated to a very detailed and in depth conversation with the powerhouse voiced and
very driven Davina Robinson, who's new album is appropriately titled "Black Rock Warrior Queen". Davina can relate to the
independent artist's struggles and concerns, and I'm confident this interview will provide a wealth of encouragement to any
musicians out there looking to share their music with the world.
Jan Rietman Interview
- by Bronson Herrmuth -
He's a world class pianist, artist, producer, and songwriter, from Belgium. Meet my new friend, Jan Rietman.
Rock Revival pt 1 - Death Valley High Talks Independent Rock
- by James Moore -
I decided to interview some hard working independent rock bands about their thoughts on music marketing. It's my contribution to a
"rock revival". This first interview is with lead singer and guitarist of the very impressive alternative/punk/metal act Death Valley
High, Reyka Osburn.
Rock Revival pt 2 - Danger Van Gorder From Countless Thousands
- by James Moore -
In the 2nd installment of "Rock Revival" I spoke with the very talented and hard working Danger Van Gorder, lead man of the stellar
alternative/punk band Countless Thousands. Van Gorder is a perfect subject to discuss music marketing with. He is passionate about his
craft, first and foremost. He also works very hard promoting his music, and he uses a variety of tactics to do so. While may bands
waste precious time on social networks, Countless Thousands perfect their song-writing craft and aim for real press. I believe that
hard work and a positive attitude both generate results, and he certainly has both.
How to Make a Great CD - Demo
- by Jaci Rae -
A great CD / CD demo can mean the difference between getting the job and not working. Here are a few tips on how to make an excellent CD that will impress them.
How Radiohead Got it Right, and Your Band Can Too
- by Draven Grey -
Stop struggling with your marketing. A brief look at how you can use Radiohead’s successful marketing tactics for your own band.
Networking that works
- by Tim Ogle -
The first five of what may become the "Ten Commandment's" of networking.
HOW DID THAT SONG GET RECORDED?!?!?!?!
- by Andrea Stolpe -
Sometimes it's difficult to imagine how certain songs make it onto records and the radio. As musicians and artists, we can spend quite a bit of time comparing our work with that of what's popular. In many cases, craft has less to do with success than we think. Choosing a viewpoint that enables us to stay inspired while working the business end is a must for anyone wanting to sustain a career in the industry.
Money and Music: How to Make Both
- by Jaci Rae -
Indie / DIY musician and bands are beginning to have an advantage over major label artists. Why? Because they are forced to learn and have marketing savvy. Indie artists and bands who wish to start the process of making, distributing, and getting
radio airplay for themselves, without the help of a major label contract, are starting their own record label.
"Respect"
- by Bronson Herrmuth -
My definition of the word Respect.
Songwriting Commercially
- by Bronson Herrmuth -
I wrote this article in 2003 just a month or so after my book came out. Knowing most of you are songwriters, I thought you might enjoy this read and good luck with your songwriting!
Consistency Is The Key
- by Bronson Herrmuth -
I'm adding this article for all of you "musers" who are performing songwriters and recording artists. Hope you enjoy!
Cross-Marketing (Linking): Selling your music
- by Jerry Flattum -
New ways to sell your music online is exploding. CD Baby is only one of them. Of course you need your own website, but how does anyone know where it is--how to find it? One way is to cross-link, particularly with other sites that feature your music.
The X Factor (the Day the Fish Died)
- by Bronson Herrmuth -
A true story of a songwriter/artist pitch session with an A&R label exec on Music Row in Nashville, TN.
Work For Free?
- by Carley Baer -
Sure, music is ridiculously lucrative if you're a mega-star, but what about us lowly independents? Do we have to keep slaving away for free until someone discovers us and pays us the money we're worth?
The A&R Representative
- by Cyrus Rhodes -
This article takes an in-depth look at the A&R Representative, and what role they play in the Music Industry.
POS is Never Wrong
- by Cyrus Rhodes -
At the end of the day, it's still all about money.
Mixing
- by Cyrus Rhodes -
These components generally make for an industry standard mix.
Barcodes
- by Cyrus Rhodes -
Think Barcodes aren't important? Guess again!
Press Packs
- by Cyrus Rhodes -
What your press pack says about you?
Building An Army Of Fans Every Time You Perform
- by Draven Grey -
How can you capture your audience and consistently grow your fan-base? This article uncovers an often over-looked truth that will help to set your band apart.
GIGS & BEYOND - Treat every show like it’s your last!
- by Cyrus Rhodes -
The following is a true story about how a hot Seattle band blew one of the biggest opportunities they had in under 15 minutes, and didn’t even know it.
Take the 5M's Pop Quiz
- by Cyrus Rhodes -
Typically if you possess the 5 M's as a band or artist you definitely
have what it takes to become a signed professional. Read on to find out what those M's are.
The Basics of Legal Contracts
- by Cyrus Rhodes -
In the Music Business a "handshake" or verbal agreement is quite
acceptable, not to mention it can even be used in the court of law.
However when things don’t go according to plan, I’ve seen the golden
handshake turn into bad situations in a hurry, especially when the
things that don't go as planned involve money.
Establishing a realistic set of Expectations
- by Cyrus Rhodes -
O.K. how about for now we put aside the Limousine, the Hot tub parties
& Playboy Mansion Invitations, and set a much more realistic goal
for yourself. Let’s start by making a career for yourself an
Independent Artists first like we previously discussed.
SXSW Music Festivals
- by Cyrus Rhodes -
Music Festivals and Conferences are a great place for artists to come together, share their ideas, their music, their performances, and have fun doing it. Not only will you have fun, but you will have an opportunity to showcase your music, while meeting other artists and other prominent people within your local music scene.
Contacting the A&R Represenatives
- by Cyrus Rhodes -
Chances are if your music is good, there is a A&R looking for it
right now. So why not put your music directly on their desk?
Finding the right kind of Recording Studio
- by Cyrus Rhodes -
Over the last few months you have written and rehearsed about 45
minutes of good quality music. It's enough material to now make a CD or
demo, but you only have about a grand in your bank account . Here are
just some of the things a good recording studio should provide.
Be a Responsible Performer
- by Cyrus Rhodes -
Many newcomers are unaware of their responsibilities towards the venue,
bookers, people in the crowd, and even opening acts. Having an incident
occur during the show could have disastrous consequences as you are
trying to build a reputation regionally as a professional.
Something Every Roadie Should Read
- by Cyrus Rhodes -
Sure being a roadie is the toughest job in the Music Business, but keep you head up, you just might be a Rock Star one day.
If you suck at running live sound - please quit!
- by Cyrus Rhodes -
Some Indies bands cannot afford either to buy either a quality sound system, or hire a professional. I get that. Also true - some smaller club owners don't even know what good sound gear is. That's fine as well. What I can't understand is this: if you are a club that offers a decent to premium “live sound” setup, HIRE AN ENGINEER THAT KNOWS HOW TO USE IT!
Assembling an Effective Street Team
- by Cyrus Rhodes -
Many bands have learned the power of “word of Mouth” via an effective Street Team. Street Teams' are a powerful promotional tool that has been adopted industry wide ...
The Pursuit Of A Record Deal
- by Tom Hess -
Do you want to turn your passion for music and songwriting into a career? Would
you like to know exactly what record companies, producers, and management
companies are looking for when seeking out new artists? This article will tell you.
OK - Maybe it's time we hired our own Sound Guy
- by Cyrus Rhodes -
If you don’t bring your own sound guy you run the risk of handing your
sound over to someone you don’t know. Having said that I have seen many
so called sound guys that didn't have a clue. All in all it can make
for a long night.
OK maybe it's time we hired a Band Manager
- by Cyrus Rhodes -
Any band or artist that's either paid their dues, or spent time on the Front Lines knows how much work is involved in becoming a paid professional. The more serious you are about it, the more you need an effective band manager.
GIGS & BEYOND - Pre-Booking Advice
- by Cyrus Rhodes -
Here are just a few hints and reminders for anyone aiming to get their own gigs by telephone or “cold calling.” For most newer bands don't forget you have to start somewhere - so this article mostly applies to you.
GIGS & BEYOND - You got the gig now what?
- by Cyrus Rhodes -
Here are some simple tips to help you avoid those awful 'oh no' moments,
especially if your band members are bad timekeepers, lousy with
directions or have short term memories!
GIGS & BEYOND - Be A Responsible Performer
- by Cyrus Rhodes -
Don't want to get blacklisted by club owners, bookers and other agents? Remember and pay attention to your responsibilities towards the venue, the people in the crowd and even the opening acts. Here's how.
GIGS & BEYOND - Tough Night? Piece of Cake
- by Cyrus Rhodes -
Ask anyone who has been touring for an extensive period of time, or
played in a live circuit regularly - having a tough crowd, off night,
belligerent hecklers, whatever is just a reality of the music business. Here are some things that will minimize the impact they will have on you as a
performer.
How To Make The Right Contacts In The Music Industry
- by Tom Hess -
In this article you will learn the best ways of attracting the attention of the most powerful music industry contacts that can help you to further your professional music career as a songwriter or performer.
(GIGS & BEYOND) The night I gave my CD away
- by Cyrus Rhodes -
I took a big risk in giving my CD away at a gig, not knowing what would happen next. Things changed. Here's how.
(GIGS & BEYOND) How to make the most of your Merch
- by Cyrus Rhodes -
If you're like many artists, your distribution strategy begins and ends
at the merch table. But for too many acts, the at-the-show marketing
effort involves nothing more than a shout-out from the stage...
What makes for an Effective Band Manager
- by Cyrus Rhodes -
Most agree - being a Band Manager is probably one toughest jobs in the Music Business. In all my years in the business these attributes generally equate to an effective Band Manager.
(GIGS & BEYOND) The Indie Bible can help
- by Cyrus Rhodes -
Looking for ways to get you and your band out there along with valuable marketing tools? This is a great resource to check out.
Professional Rights Organizations (PRO) Affiliation
- by Cyrus Rhodes -
A PRO is one of several organizations that are highly beneficial to
producers, songwriters and musicians and if you’re a studio owner or
operator, you should definitely have some background on them and what
they can do for you.
Behind-the-Scenes Online Marketing for Independent Musicians - A How To Guide
- by James Moore -
Today's independent musician's must be vigilant with their promotions in order to build a respectable press section. The way to achieve this, contrary to popular belief among indie bands, is not by sending out 10,000 messages entitled "Check out my band!" on Myspace. It involves getting personal, respectful, and attentive to the music media. In this article, I'll detail what I like to call "Behind-the-scenes" marketing.
Search Engine Optimization for Indie Bands
- by James Moore -
People
typically arrive at websites in three ways: through the use of search
engines, clicking links from other websites, or simply by typing in the
website address. Even though search engines alone will not complete your
promotional arsenal, they will be important. Many indie bands do not understand the importance of search engine optimization. In simple terms, SEO gives many more people the opportunity to find out about your band.
How To Market Your Music Without Hiring A Publicist
- by James Moore -
Using DIY tactics, behind-the-scenes marketing strategies and a personal touch, you can now market your music to mass audiences without shelling out any money to publicists or promotion companies.
Indie Bands - Take Your Songs Off Myspace!
- by James Moore -
If you ask people what has turned them off indie bands and finding music online, you may just hear the answer "Myspace bands". Not only is there an overabundance of poorly presented artists on the site - many of them also make a habit of spamming their friends lists to the point where most people have shut down or abandoned their accounts and moved over to Facebook. This article hones in on one simple aspect of independent music that has been overlooked in the modern age of option paralysis and too much choice. Think about it next time you're about to send 500 emails saying "Check us out!" If your music isn't quite there yet, take your songs off Myspace!
How to use Lady GaGa's controversy techniques to your advantage
- by James Moore -
Indie bands - What can we learn from the marketing techniques employed by the world's biggest pop star
(except Justin Bieber), Lady GaGa? If at this point you're saying "She's a sellout" or "I hate pop music" you've quite
possibly closed the doors available to you and sorely missed out.
How to Lead People to Your Music in a Digital Age
- by Bill Pere -
Getting music online is the easy part. Once it's there, how do you get people to find it? With the maturity of digital delivery and a proliferation of websites that allow easy uploading and legal downloading of music, the old models of making and marketing
CDs are gone. The shift from an album-based economy to a track-based economy spawns many new considerations for the Indie artist when the time comes to go into the studio and record. This article gives you some tips.
Songwriting Articles - SXSW Music Festival (2010)
-
An article about Jon Stewart's attendance at this massive music festival - SXSW 2010. Some observations and advice for the aspiring songwriter and musician.
BACKSTAGE WITH THE BAND-AIDS: EMERALD
- by Cheryl Mullen -
Soon after I published “THE GOOD GROUPIE’S TEN COMMANDMENTS” in 2008, I started getting emails from groupies seeking my advice on how to handle certain situations with their bands. This was absolutely the most serious one I received.
THE GOOD GROUPIE'S TEN COMMANDMENTS
- by Cheryl Mullen -
The long-overdue follow-up to GROUPIES--THE GOOD, THE BAD, AND THE NAUSEATING. Want to make sure you're the kind of groupie who leaves a good impression with your favorite artist and not a bad one? Here are some rules to live by!
Your Fans Are Your Life-Blood, But…
- by Draven Grey -
Why settle for the left-overs of the band that played before you? What key element are you missing that would help you attract massive amounts of fans, sell more merchandise, and boost your music career like nothing else?
Why Not Globalize the Guitar?
- by Alex Jasperse -
Ever thought about making music with someone from a different end of the globe? Why not? If you have some basic recording gear, and a willingness to learn, maybe it's time to explore the range of options you have...
What the Effects?
- by Alex Jasperse -
A quick look at the pros and cons of three types of guitar effects units that exist.
Blue Collar's Sneaky Little Tips For Ghee-tar And Bass, Vol. #1
- by Mick Polich -
Looking for a few quick tips to head down another avenue with your guitar and bass playing? In this first installment, Mick pawns off what pithy knowledge he's learned over 30 years in regards to guitar and bass playing tips.....
Bass Guitar Tips #1
- by Scott Morris -
Scott's first article is an easy introduction to learning how to play the bass. You'll be jamming along with other guitarists in no time!
How To Improve Your Guitar Technique - Part 1
- by Tom Hess -
This article will help you to improve your guitar playing so that you can become a much more expressive musician and songwriter.
The Importance of Childhood Experiences
- by Trevor Krueger -
Kids these days aren't experiencing the same things kids in earlier generations experienced. How will this affect what they decide to write songs about as they grow older?
Blue Collar Rockin' #3-LISTENING!!!
- by Mick Polich -
Hey,you - are you listening? Mick looks at the topic of listening as a musician and offers some hopefully helpful hints on how to improve your 'listening' habits for all your musical endeavors!
Daily Activities of a Career Songwriter
- by Andrea Stolpe -
It’s true that no two songwriters' careers are alike. Most of us start with no contacts, little
experience, and a lot of inspiration.
Gradually we expand our network of contacts that will play key roles in
opening doors to that publishing deal, artist deal, recording facility,
producer, co-writer, event booker, agent, manager, or that one fan that becomes
an unexpected loudspeaker to the world.
A Return to Reason?
- by Trevor Krueger -
Are the ISP's finally getting serious about free downloads from the net and their responsibility to do what they can to protect the future of music as we know it?
CYNICAL GIRL ISO CODE MONKEY
- by Cheryl Mullen -
Everybody has their "dealbreakers" when seeking out a potential mate. Mine just happen to be musical.
BLACK SUNDAY SET LIST
- by Cheryl Mullen -
February 14--or as I like to call it, Black Sunday--is fast approaching. Here's a set list for those of us who aren't feeling the warm, fuzzy, sugar-induced high this time of year.
3 Uncommon Practicing Ideas
- by Kole (Kyle Hicks) -
Do you ever get bored with practicing the same exercises over and over again without getting significant results? In this article, Kole tries to solve the issues of boredom and practicing "inefficiency" with 3 Uncommon Practicing Ideas
The Synthedit Revolution
- by JJ Biener -
Jef McClintock's Synthedit has brought the ability to produce VST instrument and effect plugins to the masses.
Embrace Imperfection
- by Andrew H -
Do musical artists appreciate why they are going for
this 'perfect sound'?
Do You Need A Producer?
- by Jerry Flattum -
Couple of months back, I decided to use Bob Katz for mastering. After a few email exchanges and wrestling with his amazing book, Mastering Audio, I told Bob I wanted to achieve the same high quality recording with my studio as that which I've been hearing on a slew of top commercial CDs (Celine Dion, as one example).
Bob Katz recommended using a producer. Just exactly what does a producer do? Do I need one? Mick Polich, another Muse's Muse Columnist, has some answers.
"Screwin' Around" - Practical advice from Composer, Engineer, Producer Stephen Sea
- by Jerry Flattum -
In tackling the the concept of the role a producer plays in recording, Stephen Sea offers some practical advice and lays out a blueprint for "screwin' around," a technique most songwriters are already familiar with when writing tunes.
Obedia - 24-hour Tech Support for Musicians
- by Jerry Flattum -
A new service, Obedia, answers a long awaited need: 24-hour tech support for musicians. Steve Garth, Fred Maher and Jayce Murphy are your new best friends. Need help right away with a hardware/software issue? Click Obedia.
Recording Your Own Songwriter Demos
- by Bronson Herrmuth -
If you are a songwriter and you record and produce your own song demos, this one's for you.
Music Life: 11 - Creating The Perfect Songwriting Studio
- by Brian Donovan -
I've developed the most professional, yet minimalistic list of gear for an amazing (and amazingly simple) songwriting/demo recording studio. And I share my thoughts on how you can implement it to make your songwriting an effortless and gratifying part of your day that doesn't interfere with the rest of your life. Here is that list, now...
The demise of the UK Recording Studio
- by Trevor Krueger -
Technology continues to threaten the foundations of "quality" recording to the point that many top London Studios are already gone or facing closure.
Mastering
- by Cyrus Rhodes -
Don't bonk during post production.
Never Let Them See You Sweat
- by Khaliq Glover -
Pressure in a recording session is very high and you can easily lose control of the situation if you are not careful and cognizant. Here is a bit of wisdom that was passed on to me that has served me well over the years.
3 Tips For Music Production
- by Khaliq Glover -
How to get the most out of your music recording, songwriting, and mixing. Short tips for the music producer who feels stuck creatively.
Your Producer
- by Bronson Herrmuth -
A chapter taken from my book, "100 Miles To A Record Deal", for any of you musesmusers out there who might be seeking a producer for your music.
How To Get a Song in Front of a Publisher
- by Dan Rivers -
Dan gives you a few easy to follow hints on how to get your music in front of publishers - and actually listened to.
Effective Lead Vocals, Part 1
- by Jeannie Deva -
What makes one singer's voice "really do it to you" while another's leaves you feeling ho-hum? Is it just that some have it and some don't - Some indescribable and mysterious achievement of luck and lineage?
Singing or Straining?
- by Jeannie Deva -
You can hear it in the sound of your voice and feel it in your throat when it happens. The muscles tense and your vocal tone sounds pinched and shrill. You’re straining and if your voice doesn’t crack, you can consider yourself lucky. If this happens to you, you're not alone. Vocal strain is very common and some singers don't realize they are doing it, because there are degrees of it from mild to severe. There is no need to suffer the consequences when you can learn the remedy in this vocal tip by International Vocal Expert, Jeannie Deva.
Effective Lead Vocals, Part 2
- by Jeannie Deva -
The second in a three-part series, Celebrity Vocal Coach Jeannie Deva focuses on several other components to help you "sell" your song with conviction and artistry.
Eliminating Nasality, by Celebrity Vocal Coach Jeannie Deva
- by Jeannie Deva -
Are you concerned about having a nasal voice? Jeannie Deva, one of the top vocal coaches in the world, has some remedies for you in this article. If you are simply interested in exploring and further developing your voice, you'll find this exercise particularly helpful with fast results.
Three Quick Tips to Sing Better Fast
- by Jeannie Deva -
Jeannie offers a few tricks of the trade that can make singing easier, no matter what
your style. She discusses three important tips that can assist singers, and
fully explains how you can utilize these tips for maximum effect and
improvement.
The Alchemy of Singing
- by Beth Lawrence -
"When we attempt to convey emotion through song or speech, we are using the art of Alchemy to transmute air into a medium that others can hear, translate and feel." Yes, basically it comes right down to plain old physics applied to performance art! The bottom line here is that in order for your audience to feel anything as a listener, you must be feeling something as you're singing your song!
Pitch Problems???? - Breathe!
- by Beth Lawrence -
If you are supporting your tone with a relaxed but engaged belly breath -
a breath that seems to fill your whole body, this will create a firm
'platform' on which your tone rests. When a singer is under pitch, it
is almost always simply because they aren't engaging enough vital breath
energy that then becomes firm breath support for the voice.
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