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The Muse's News

Issue 7.5 - August 2004
ISSN 1480-6975

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This issue sponsored by:
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I n   T h i s   I s s u e :

@-- Editor's Musings
@-- Music Reviews - by Steve Allat & Stacey Board
@-- New Artist Spotlight Additions
@-- Songwriting Book Review - by James Linderman
@-- Musical Notes - Songwriting Contests & Market Info.
@-- Muse's Clues - Songwriting Web sites that inspire - brought
    to you by singer/songwriter & teacher, Irene Jackson.
@-- Featured Article - Formulas for Songwriting 
    - by Colonel Robert Morris
@-- On Site Featured Article - An article already online for your
    viewing pleasure.
@-- Classifieds & Useful Services
@-- Contact information
ISSN 1480-6975. Copyright 1998/99/00/01/02/03 - Jodi Krangle. 
For more contact information, see end of issue.
They're fun and sunny, and ready for summer!  You can also get
other great Muse's Muse items like mugs, mousepads, t-shirts and
more by visiting .  Get yourself some
classy merchandise to remind you of your commitment to better
songwriting, and support The Muse's Muse all at the same time.
Start your own store too - with no up front costs! 
See for more details. 
S p o n s o r   M e s s a g e : 
(Please support the sponsors that support this newsletter! Thanks!)


Berkleemusic is now offering a way for you to further your music
career and earn college credit with our new Online Certificate
Programs. Berkleemusic¹s Certificate Programs provide a
structured, integrated curriculum that is designed to allow
students to further their knowledge and focus on the academic
direction that interests them most.

Enrollment for our Fall semester ends on September 13th, and
registration is open now! Our student advisors are available at
866.BERKLEE (866.237.5533) to answer any questions, or you can
visit us:
Financial Aid Available * Flexible Schedules *


E d i t o r ' s   M u s i n g s :

Hello again for another month.  I hope you're all having a
fantastic summer!  

This issue of the newsletter features a new article, another book
review, more Artist Spotlights, more CD Reviews, a great website
review and lots of listings of the current contests and market
opportunities as well.

The raffle winners this month are:

* Lynn Julian from Augusta, ME, who has won a copy of the
"Musician's Toolkit" 
(for details, see 

* Angel Willemsma from the Netherlands has won a copy of VSS's
songwriting organization product, Lyricist (for details and
information on a discount offered, see

WOW it's getting hard to get these raffle prizes out.  I write,
then I write again, and very few people (fewer and fewer all the
time) get back to me.  Maybe people don't believe they've
actually been singled out for a prize?  I just don't know.  But
you know what?  If you want a raffle prize - if one of the ones
I've given out in the past particularly appeals, please do email
me and let me know.  Maybe then I'll actually be able to announce
these winners on time. :)  I realize that I may be overwhelmed
with requests - and you all will have to realize that I may not
be able to give everyone what they want - but I'll certainly try!

Wishing you all a very productive and creative summer, 


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S p o n s o r   M e s s a g e : 
(Please support the sponsors that support this newsletter! Thanks!)


Lyricist V3 - The Songwriter's Best Friend by Virtual Studio
Systems, Inc. does more than what the name implies.  It's the
first-of-its-kind word processor uniquely designed for musicians
and songwriters.   The software includes a Rhyming Dictionary,
Thesaurus, Album Categorization, Chord Charting, Chord Generator,
Song Arrangement charting, On-Line Copyright Link.  The new
version 3 product adds support for "Piano Style" chord symbols,
Nashville Number System, and Transposition features - all in one
user-friendly package.  
Introductory prices will be ending soon, so act now!  Check out
the review at .

Muse's Muse visitors can take home the product for $5.00 off the
V3 introductory sale price of $39.95 just for purchasing through
the purchase button provided off of the review.

For more information, visit the review url above or call us at
888.732.1176 inside the U.S.A. and Canada or 603.726-4499 outside
the U.S.A. 


M u s i c   R e v i e w s :  by Steve Allat & Stacey Board


Reviews by Stacey Board:

* Sienna
* Just Thomas
* Helmut Lotti
* A Girl Named Jaen
* Karen Fay
* Kerry Polk
* Jane
* Mark Brine
* Kellie Lynne
* Ruth Hammond

Reviews by Steve Allat:

* David Boyles


For bios on each of the reviewers, see . If you're considering
sending in your own CD for review, you can also view that page to
find out which reviewer reviews your genre. Thanks!

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N e w   A r t i s t   S p o t l i g h t   A d d i t i o n s :  

Great music is only a click away!  
Here is the latest addition to the Artist Spotlight section of
The Muse's Muse at 


With a distinctive voice, unique flow, unmatched ability to pen
concepts and lace them with infectious hooks, the skill to
lyrically convey messages and second to none creativity -
irrespective of gender, never has the rap game seen an MC this
complete. NY/NJ based hip-hop artist SHEE consistently creates
material in tune with the demands of the street while avoiding
material derivative of what's already out there.

Beaver Street & Beyond is Apell's "eclectic and brilliant" -
( album of innovative & diverse downtempo
electronic music. Musically similar to Groove Armada & Unkle,
Apell has been acclaimed as "a tour de force with a creative mind
who lives in a world of his own" – (RECORDING Magazine US) .

Basement 3's music is agro-jazzy urban folk-core, an eclectic yet
accessible fusion of styles that harmoniously simmer together in
a tantalizing musical stew. Although its origins are steeped in a
complex and dark layering of textures, the 3rd B3 CD,
'Fuzzyland', tips its hat to neo-folk and singer/songwriter
influences while still maintaining a taste of its world
music-meets-industrial beginnings.

With a voice that's been compared to 'golden pipes' Shannon Chase
breathes new life into today's pop music. Combining her interests
in adult contemporary, Top 40, and rock this debut album appeals
to a large number of people with its catchy hooks and haunting
Are you interested in an Artist Spotlight on The Muse's Muse?
Check out for more

S o n g w r i t i n g   B o o k   R e v i e w : by James Linderman

The Contemporary Singer, Elements of Vocal Technique 
by Anne Peckham
If you only knew three things about me, one of them would be that
I'm not much of a singer. The other two would be that I spend an
awful lot of time with singers and that this time has caused me
to need hours of therapy to deal with my jealousy.

It's not that I sing like William Hung, but the singers I work
with are so brilliant it's hard to call my slightly too nasal
infused, 7 note range, as great singing. I can sing in time and
in key but that's about it.

The problem with this is that I like to sing and singing is also
somewhat essential to writing complete songs and being able to
finish a good demo on my own.

So...I was happy to get the chance to check out Anne Peckham's
book, The Contemporary Singer, with an open mind to my chances of
improving and a couple of weeks off to work on it.

So who is Anne Peckham? 

Anne has worked as an Associate Professor of Voice at Berklee
College since 1987, directs Berklee's Concert Choir, and is the
co-founder of the Berklee Musical Theater Workshop. She is also
on the executive board of the Boston Chapter of the National
Association of Teachers of Singing.

Her book, The Contemporary Singer, is based on the curriculum of
the Voice Department at Berklee so it is formatted like a
textbook but is a bit more casual than most academic method
books.  It features a CD to practice along with and materials
that will not turn you into an opera singer fronting a rock band. 

Chapter 1 explains the physiology of singing...such as how your
body uses your lungs, vocal chords and mouth to produce music and
how you can understand how to control your instrument.

The remaining chapters in Part 1 teach and promote proper
posture, breathing, diction, microphone technique, and even have
a section on the proper way to belt out a chorus without having
serious throat problems for 2 weeks after a show.

Part 2 deals with the elements of practicing, maintaining your
health, and the well being of your voice, dynamics and all
aspects of performing. 

There is an appendix on auditioning which is a must read for
anyone trying out for anything as basic as singing in a garage
band to auditioning for the lead in a Broadway musical.

In the back section of the book, there are also a couple of
practice songs, an excellent glossary of terms, and a listing of
some helpful resources.

I tried out the accompanying warm up and practice CD and found
that in a couple of weeks I had added another 2 whole tones to my
range.  Though I'm still no Josh Grobin, my tone had improved
noticeably. I also found that I no longer got a predictably sore
throat the next day!

The Contemporary Singer, Elements of Vocal Technique by Anne
Peckham is available through Berklee Press at under the heading "instruments", subheading

James Linderman lives and works at theharmonyhouse, a music lesson,
songwriting and music pre-production facility in Newmarket,
Ontario, Canada. He is the Songwriters Association of Canada
regional coordinator for Newmarket and leads a music workshop
program for Life 100.3 Christian radio. James writes songwriting
articles for The Muse's News web magazine, Canadian Musician
Magazine and Professional Musician Magazine.

Contact James at:

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S p o n s o r   M e s s a g e : 
(Please support the sponsors that support this newsletter! Thanks!)


You wanted to become a musician/songwriter and earn a living from
music because  it's CREATIVE and EXCITING. Yet here you are
struggling with your CD burner, hunting through A&R directories,
searching for stamps, etc ... Wouldn't life be easier if you
could spend your precious creative time writing music rather than
envelopes ?! Let The Music Broker Network take care of pitching &
promoting your songs to Labels, Publishers, Film & TV: via both
post & email. We leave you to what you do best: be creative.

10% DISCOUNT to Muse's Muse members: simply enter a discount code
of MUSE when you checkout:

M u s i c a l   N o t e s : Songwriting Contests & Market Info.

In the interest of conserving space, I will only be including
changes to this listing in this newsletter.  All other contests
and market information that have already been listed here, are
displayed at & . Please check there
regularly for updates!
Each year, the Flat Rock Music Festival Governing Board selects
10 songwriter finalists to showcase at the Festival where they
are judged by a panel of industry pros, and awarded prizes,
critical acclaim and a chance to perform their winning song on
the Festival main stage! 

Entry deadline is September 3, 2004. 
More information can be found at

Offering cash, prizes and real opportunities to new and
developing songwriters around the world. Selected winners will
appear on a special limited edition CD and one Grand Prize winner
will win a trip to write new songs with established professional

Enter by MP3, CD or Cassette! Entry deadline is November 30, 2004
Enter by September 1, 2004 for earlybird discounts! 
Visit for more details.
The Philadelphia Songwriters Project is a non-profit arts and
education organization with a mission to serve local and regional
songwriters through our performance venues, workshops and master
classes & career advancement opportunities. This contest was
created in conjunction with our voter awareness initiative in
mind. We're looking for a hooky song that will relate in its
content metaphorically or specifically to voting and our freedom
to choose. 

Prize package includes studio time, CD replication package, a
showcase slot and media airplay. 
Please Visit for submission
guidelines and details. 
Multi-platinum songwriter, Marsha Malamet's Singer/Songwriter
Workshop is designed to support, encourage and improve the
songwriting ability, and performance confidence of songwriters.
Using customized assignments, Ms. Malamet goes to the heart of
each person's individual needs and offers 'life coaching' for the
creative artist. As a successful songwriter, (Barbra Streisand,
Faith Hill, Jessica Simpson, Luther Vandross, to name a few) Ms.
Malamet's expertise is profound. While songwriters work on
technical issues of their craft, this workshop is a unique
opportunity to understand and improve on the self-imposed
restrictions we often use to hold ourselves back. The class
concludes in a supportive performance in front of an audience. 
Ongoing classes for 2004/2005. Private mentoring available. Los
Angeles area - 323.850.8059 
Ellen Silverstein Violette, Grammy-nominated Songwriter & CEO of
Create A Splash! e-marketing & writing strategies 4 success is
offering 15% discounts to Muse's Muse visitors on selected
services including all courses, web reviews, and some coaching
programs. Visit for information! 

Download's free and easy Copyright Kit. Print
Copyright forms, Copyright submission process, handy tips &
tricks, choosing the right form, and more.
Pete & Pat Luboff will pay for the phone call for Muse's Muse
songwriters who use the Luboffs' songwriting consultation
service. The service provides detailed, constructive song
analysis, answers to all your creative and business questions and
references to contacts when appropriate. Visit for more information.  

Join Tony Award nominated lyricist and hit songwriter, Sara
Light, for this exciting online course beginning September 25th.
Also, as a member of, you can take over 30 self-paced
courses that are available online 24 hours a day, 365 days a
year.  No airfare, no hotel costs, no time constraints.  Right
from your own home, you can get quality education and personal
attention from a faculty of active hit songwriters and successful
independent artists.  

Back-To-School Special for Musesmuse members.  Use redemption
code: MMU8303 when you enroll for one year at SongU and get an
additional 3 months free!  
To take the campus tour, go to .

Berklee College of Music has launched its web
site after nearly two years in development. This ambitious 
offering provides songwriters opportunities to take online music
writing courses and explore new music career directions. Users
can create a personal or band web page containing bios, MP3s,
images, reviews, news, and links that are useful resources to
potential employers, collaborators, and students.

For more information visit: 
It's important for your website to be found once it's created. We
all know this. But who can afford the promotion a website needs
to truly make its mark on the web? Now YOU can. This package is
offered exclusively to Muse's Muse visitors only. Do you have a
website that no one knows about? Do you want it to stand out from
the crowd? Now you can get it promoted for a fraction of the
price most search engine optimization packages would cost you. 
for more details.  

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M u s e ' s    C l u e s :  by Irene Jackson

©1998-2004 Moonstone Productions All Rights Reserved. Used By

Jon Ims, to those of you who don't know, is a veteran Music Row
songwriter from Nashville who penned "She's In Love With The
Boy", a Trisha Yearwood hit, and Reba McEntire's "Fallin' Out Of
Love" among many others.  This month's Muse's Clues is a very
insightful interview with Ims, who has a lot to say about the
craft and what he calls the "soul" of songwriting. 

The interview is part of the Baltimore Songwriters Association
website, which also features interviews with Katie Curtis,
Richard Thompson and Patty Larkin, among others.  The Jon Ims
interview can be found here:

...and the list of other interviews can be found at: clicking on the "Interviews" link.

Ims discusses not only the craft, but also his approach to the
"angle" of songwriting.  For instance, 90% of songs are about
relationships, so what hasn't been written before?  The answer is
nothing.  However, writing with a new angle on this universal
theme can bring about all kinds of different perspectives.  In
fact much of what you may already have learned as a songwriter,
Ims reinforces, such as the idea that truth in your songwriting
can be either a personal one or a universal one.  If you are a
performing songwriter, then your truth and your experience is
what counts and what works.  If, on the other hand, your writing
is aimed at a mass audience then your focus is going to be
somewhat different. 

Ims also discusses his experiences at the songwriters' Mecca, the
Kerrville Folk Festival, where he has been a performer and
participant for more than 20 years.  He ends with some
fascinating tips for the developing songwriter, including some
successful songwriters you should study, and what he feels you
should pay attention to in the craft department.  One of the best
lines in the interview is "The people that move along, are the
students."  In other words, don't ever stop being a student!

Irene Jackson is a performing songwriter from Victoria, BC in
Canada. Aside from writing, recording and performing, she also
maintains a website for songwriters that includes tips, articles
and more links of interest.  Her eagerly anticipated CD "Catnip" is
finally here, and her earlier recordings have had attention
everywhere from Japan to South America.

Songwriting Tips:
Songs on MP3:
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F e a t u r e d   A r t i c l e : 

Formulas for Songwriting - by Colonel Robert Morris © 2004
Editor's Note: Whether or not you believe in songwriting
"formulas", the ideas expressed in this article are ideas we all
can make use of.  I think you'll enjoy reading it.  I know I did.
Thanks, Colonel!

If a picture is worth a thousand words, then our job is to
transpose a thousand words into a picture. We do this by offering
snapshots of life, through the poet's inner camera...their very

We offer the listener a chance to follow the story as it unfolds,
(from a safe distance of course) or they can become a part of the
picture as if they were really there. For those, we offer no
guarantee against becoming emotionally involved.  

We have the power to send a person back in time, to present
another side of the story, or perhaps provide a ride into the
distance future to see how things might have been.

There are far too many formulas for songwriting to fit into one
article, so I'll humbly share some of mine.

I've written a large share of songs off of the hook. The hook is
a word or line (sometimes the title) that will stick out in the
listener's mind. (A lot of writers use the title as the hook so
that others can remember what to ask for when buying a copy of
the song.)  Writing off the hook is also a great way of staying
focused on the story line  Another way is to place your character
in a situation then let nature take its course. This formula
offers more opportunity to the writer.  A third way is to follow
these three steps, prefix, suffix, and main thought. What it was
like, what happened, and what it's like now!  Remember: a story
is only necessary when there is change so detail that change and
the motivation behind it.

You have to believe in yourself, your gift, and your talent.
Always hang out with the winners. The best writers will tell you
that no matter how talented you are, it is the gift that makes
the difference. When people look at you strangely and ask, "Did
you really write that?" it's the gift. (Like there's some secret
place where all of the great but dead songwriters have gone and
only they can write hit songs.) That gift is the little voice
inside your head giving you just the right words when you need
them. That talent is the learned and practiced ability to take
those words and place them oh so gently into the right line or
verse.  If it looks like a duck and walks like a duck... Watch
the winners. When you act as if you're a winner, you'll find
those traits rubbing off onto you and soon you'll be a winner
too. And before you know it, others will be trying to follow your

You will meet many people along the way. Very few of them will
have your best interest at heart. Some of them are down right
after your money. And they will lie, cheat and say just about
anything to get ahold of your hard earned dough. For example, "I
can take your song to the top," for only the amount of money
needed to make a demo. If it seems too good to be true...Well?
When approached by this person, ask him or her, would they be
willing to "take it to the top" if you had a pitch ready demo of
your own? Or if you choose to have the demo done by someone else?
Remember, it's all about money - yours. That doesn't mean that
you don't need a demo. Just be careful. A demo session can go
through your money quicker than a bad tax lawyer. Any lawyer for
that matter. So know what kind of bucks you can afford to spend
on your song and what you expect out of your investment. Some
studios do what I call "bull pen sessions." They put together a
group of pickers and players, and record about five to ten songs
at a time. The problem is that they all sound alike. I prefer to
be there and have control. But I have over thirty years of
experience playing and recording. You may not. If you choose to
use guitar or piano and vocal or, if you want to have a blown out
session, once again, remember - it's your money. If you are not
happy with the finished product, say so. I have heard so many
times, "The next time...", or "If I had it to do all over again".
Why not do it the way you want it, now?! You may think (or be
convinced) that the folks in the studio you're recording at are
experts in the music business and would know what will sell. But
do they know your music?  You are the only one who knows what's
inside of you. If the public is going to buy your CD's, it's
because of you. Not because of them!!! If they don't buy at
first, at least you know where the changes lie. So, make it

You have what has to be the greatest song ever written. You spend
all of your vacation money on the best studio mix. (You can go to
the casinos any time, can't you?) Next, you call ahead to the
record company for the critic code. Then fold the lyric sheet
into a pre approved design, attach tape "a" to lyric sheet "b"
held together by a single rubber band marked exhibit "c". Offer a
silent prayer to the demo god, send it to the secret p.o. box
no., then wait for that first royalty check. And wait, and wait.
What do they know anyway? Well to tell you the truth, sometimes
not a lot. We've all heard that song on the radio that was really
bad and asked ourselves, "Why won't they play mine?" Part of it
is just the curse of the business.  Also there are politics
involved.  We can cover that in another article.

In conclusion, I hope that this article has been helpful to you.
It is my goal to pass on just a few words of advice that I have
learned the hard way. You may go as deep into it as I have, or it
may just be a hobby for you. This article does not cover
everything there is to know about the music business or
songwriting. It is intended to offer a few tips and a few laughs.

As you travel down the path to stardom, and success, I hope I get
to meet you along the way. Maybe we can co-write, sing a duet, or
just hang out and jam. 

Where am I you ask? I am at every open mike night you go to, I am
at the coffee shop at two in the morning when you can't sleep.
I'm the guy standing in line in front of you (or maybe behind)
waiting to pitch another tune. You see, I am just like you! When
I finish this article, I am going right back to work on another
song. So don't ever feel that the person next to you has a
greater right to be here than you. It's just not true! We are all
in this together.

So write that hit, record that next number one song, and I'll be
there in the front row, proud that you have opened a piece of
your soul to me and that you might have carried a small piece of
mine away with you!

Meet you at the grammys!

Colonel Robert Morris ( is a
renowned songwriter, lyricist, singer, musician, author, and
teacher.  He has been inducted into both the Rockabilly Hall Of
Fame ( and the
Traditional Country Hall Of Fame
(  Colonel Robert
Morris is also the writer and artist on the national known truck
driving song, "Trucker's Last Ride"
(  He is
proud to endorse "Glen Morgan Guitars", and their staff of
professionals (

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    " O N   S I T E "   F E A T U R E D   A R T I C L E :

Building the Perfect Beast: Form Follows Function - Pat Pattison

Brought to you by Author/Teacher/Songwriter, Pat Pattison, this
enlightening article explains why it's a good idea to have your
rhyming and rhythm scheme follow your song's subject - and gives
you tips on how to do it too!
================================================================= C l a s s i f i e d s & U s e f u l S e r v i c e s : ----------------------------------------------------------------- HEY SONGWRITERS: LYRICST V3 INTRODUCTORY PRICING IS ENDING SOON! We can't keep the price down on this product much longer so now is the time to act. Along with its built in rhyming dictionary, On-Line Copyright, album categorization, and chord charting features, Lyricist 3 now enables song key transposition and the ability to transpose chord charts from guitar to piano. Add on support for the Nashville Number System and you have the most powerful songwriter wordprocessor in its class. Introductory prices will be ending soon, so act now! Check out the review at . Muse's Muse visitors can take home the product for $5.00 off the V3 introductory sale price of $39.95 just for purchasing through the purchase button provided off of the review. For more information, visit the review url above or call Virtual Studio Systems at 888.732.1176 inside the U.S.A. and Canada or 603.726.4499 everywhere else. ----------------------------------------------------------------- REAL ANSWERS TO REAL QUESTIONS, An eBook About Copyright & Publishing If you want to know how to protect yourself as a songwriter in this digital age, you need this book - EXCLUSIVELY offered through The Muse's Muse. And it's now HALF PRICE! Visit to learn more! ----------------------------------------------------------------- BOOK YOUR LIFE @ INDIE-MUSIC.COM is the smart DIY way to advance your music business career. We empower you with thousands of contacts - labels, radio, media, TV & Film, local music stores - including over 7000 complete venue listings all across America. Our listings will save you hours of time in Internet searches alone! In addition, you get free promotion on our Industry-Leading website, monthly tips on where & how to submit your music, and super-handy organizational tools available from any computer. For musicians and industry professionals. ----------------------------------------------------------------- MUSIC BUSINESS SOFTWARE FROM PATTEN SOUND Record Company in a Box is a complete independent record company management software. Tour Manager allows the tracking of all concert and tour specifics. Music Business Contracts contains 100 of the most necessary music industry contracts available. Studio Business Forms is a collection of 43 recording studio business forms. For more details, point your browser to: ----------------------------------------------------------------- SPOTLIGHT YOUR MUSIC ON THE MUSE'S MUSE! The Muse's Muse Songwriting Resource (online since 1995) now has a section of Artist Spotlights at where musicians and songwriters of all genres can strut their stuff. Newly spotlighted artists are also mentioned in this newsletter (see above). Check out for more details! ----------------------------------------------------------------- REACH NEW FANS ON MEDIAFEAST Looking to reach new fans? MediaFeast is an online independent music retailer dedicated to helping independent artists bring new music to fans and helping listeners find great new music. Create a free account and then have the opportunity to add albums for sale on In addition to prepackaged albums such as those sold at traditional retailers, MediaFeast offers the sale of one-off albums that are produced to order using a master artist disc and associated artwork. Artists set the selling prices for all of their albums and receive all profits above the base cost. Sign up through this ad and receive four free Pure Profit sales, where you will keep 100% of the selling price! Visit for details. ----------------------------------------------------------------- THE 5th EDITION OF THE INDIE BIBLE IS NOW AVAILABLE! The Indie Bible shows you where to get your music reviewed, your songs played, and your CDs sold. Now in its fifth edition, The Indie Bible has 330 pages of valuable contacts and music-related articles. The 5th Edition of the Indie Bible contains: 4000 publications from around the world that will REVIEW your CD! 3200 radio stations from around the world will PLAY your songs! 675 vendors and services that will help you to SELL your music! 500 helpful resources and sites where you can PROMOTE your band! 200 sites where you can UPLOAD your band's MP3 files! 50 articles that will help your career to MOVE forward rapidly! For details and to order online visit: ----------------------------------------------------------------- WANT TO GET MORE GIGS AND SELL MORE CDS? It doesn't get any easier than this... Discover Thousands of Places to Promote your Music and get the contacts you need in the music industry with The Galaris Musicians Directory 2004 Edition! Amazing! Just point and click to email or visit the site of the contact you need - right from your computer desktop! "The most complete, intuitive and updated directory I've ever seen. Highly recommended" - Derek Sivers - founder, CD Baby. You owe it to yourself! Click below and get started now. - and receive a 10% discount! ================================================================= ADVERTISING RATES: For Classifieds: US$50 Max. 8 lines, where a line = 65 characters including spaces and punctuation. All contracts must be prepaid. Write to: For Newsletter Sponsorship rates and other advertising opportunities, please see . Back to Menu
================================================================= C o n t a c t I n f o & C r e d i t s : ----------------------------------------------------------------- Jodi Krangle ............................................. EDITOR Kathryn Obenshain ...........................GRACIOUS PROOFREADER ----------------------------------------------------------------- The Muse's News is a free monthly newsletter for and about songwriters. Subscribers are welcome to recirculate or reprint The Muse's News for nonprofit use as long as the appropriate credit is given and the ENTIRE text of the newsletter is included (including credits and information at the end of each issue). Others should contact me at All articles copyrighted by their authors. Back issues and other information will be available at: The Muse's News is part of The Muse's Muse, a web resource for songwriters: For further information, send your e-mail to: ----------------------------------------------------------------- - How to place a classified ad, pass on market information or sponsor The Muse's News. - How to subscribe, unsubscribe, etc. - To submit articles,reviews,ideas,etc. SNAILMAIL: Please contact me first at ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Back issues of the newsletter can be read at the National
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